The grotesque and strange artistic style shines brilliantly in Chengdu residence

超现实主义是现代西方一个重要文艺流派，两次世界大战之间开始盛行，它致力于探索人类的潜意识心理，主张突破合乎逻辑与实际的现实观，彻底放弃以逻辑和有序经验记忆为基础的现实形象，把生、死、梦，现实、过去、未来结合在一起，“受理性控制和受逻辑支配的现实是不真实的，只有梦幻与现实结合才是绝对的真实、绝对的客观。”

Surrealism is an important modern western literary genre, in between the two world wars. It aims to explore the human unconscious, advocated through logical and practical view of reality, completely give up on the basis of the logical and orderly experience memory image of reality, the birth, death, dream, reality, past and future together, "the rational control and controlled by the logic of reality is not real, is absolutely true, only dream and reality, the absolute objective." 

记忆的永恒 The Persistence of Memory

成都，向来都是一个具有独特人文气质的城市：安闲又热辣、淳朴但时尚、悠久却前卫，因此源源不断地诞生了文学、音乐、艺术领域的才子佳人。而涉及到艺术灵感与创作范畴，往往能与这个城市的特质产生极强的共鸣，就好似一个综合体，既简单得让人没有距离，又前卫得令人琢磨不透，WED中熙设计把这些感受汇总，并结合项目的考量和艺术的启发，为它安排了一场关于“超现实主义”的行程。

Chengdu, has always been a city with unique humanistic temperament: leisure and hot, simple but fashionable, long but avant-garde, which leads to the continuous birth of literature, music, art talent and beauty. And artistic inspiration and creation often have with a strong resonance in the character of the city, which is complex, simple and avant-garde. Summarizing all these feelings and combining with other considerations and artistic inspiration, WEDesign scheduled a trip about "surrealism" for this project.

超现实主义的“反常合道” The " paradoxical harmony " of surrealism

在超现实主义绘画中，画家们开始探索自己非理性的一面，以找到新的创作自由。虽然超现实主义绘画作品情景奇异怪诞，与现实格格不入，体现了“反常”的特征，却具有超越时间和空间的永恒感，给人以灵验、虚无的感觉，隐喻着人和宇宙破裂却又相互联系的矛盾，充分体现了“反常合道”的艺术魅力。

In surrealist paintings, artists began to explore their irrational side in order to find new creative freedom. Although the scenes of surrealist paintings are strange and bizarre, which are incompatible with the reality and embody the characteristics of "abnormality", they have a sense of eternity beyond time and space, giving people a sense of efficacies and nihility. They are metaphors for the contradiction between people and the universe which is broken but interrelated, and fully embody the artistic charm of "paradoxical harmony".

“反常合道”本是中国古典美学概念，“反常”是指表面上对现实的扭曲，却能形成艺术中的奇趣，造成艺术中的新奇效果。但“反常”必须“合道”，也就是说：虽出意表之外，却在情理之中，即“反生活常理而合乎艺术之道”。

"Paradoxical harmony" is a Chinese classical aesthetic concept. "Paradoxical" refers to the distortion of reality on the surface, but it can form the strangeness in art and create the novel effect in art. "Abnormal" but still "congenial", that is to say: although out of the meaning, but in the common sense, that is, "contrary to the common sense of life but in line with the way of art.

超现实主义最具代表性的三位艺术家：米罗、达利与玛格利特 

The three most representative artists of surrealism are Miro, Dali and Margaret

在室内设计中，软装也在践行这种“反常合道”的矛盾却又和谐的美学逻辑：

In interior design, soft decoration is also practicing the contradictory yet harmonious aesthetic logic of "paradoxical harmony" :

在保证一贯的现代风格的基础上，增强了主要家具的造型感和戏剧感，例如客厅的单人沙发、客餐厅的灯具等，具有强烈的科技感；

On the foundation that assures consistent and contemporary style, enhanced the modelling feeling of main furniture and dramatic feeling, the lamps and lanterns of the individual sofa of the sitting room, guest dining-room for example, have strong sense of science and technology; 

在大色调上面，运用了黑白灰为基础色，利用红色和蓝色两个撞色来强化视觉冲击，同时大量运用了荧光色的透明亚克力、突出光影效果的玻璃、干净利落的亮金属等材质细节，把“超现实主义”中的前卫感做到极致；

Black, white and grey are used as the base color, and red and blue are used to enhance the visual impact. Meanwhile, the transparent acrylic of fluorescent color, the glass that highlights the light and shadow effect, the clean and agile bright metal and other material details are used to make the avant-garde sense in the "surrealism" the ultimate.

在艺术品运用上，WED中熙设计始终坚持“有灵魂的设计应该配合真正的艺术品”的理念，在项目中与多位才华横溢的艺术家合作，以呈现业主的艺术造诣和热爱。

In terms of the application of artworks, WEDesign always adheres to the concept of "soulful design should cooperate with real artworks", and has cooperated with many talented artists in the project to present the artistic attainment and passion of the owner.

致敬艺术家：米罗、达利与马格里特

Tribute to artists: Miro, Dali and Magritte

超现实主义绘画有三位十分重要又影响深远的艺术家：马格里特（Magritte Rene）、萨尔瓦多·达利（Salvador Dali）和米罗（Joan Miro），WED中熙设计在项目创作的过程中，深受这几位艺术家的作品启发，并从中提取元素，在室内软装向几位艺术致敬。

Magritte Rene, Salvador Dali and Joan Miro are three important and far-reaching surrealist artists. In the process of project creation, WEDesign got inspired by these artists, and extracted art elements to use in the soft decoration.

米罗（Joan Miro ，1893—1983），西班牙著名的画家和雕塑家。他的创作表现方式是有意地打乱知觉的正常秩序，在直觉式的引导下用一种近似于抽象的语言来表现心灵的即兴感应。因此在它的作品中会有象征的符号和简化的形象，使作品带有一种自由的抽象感，也有儿童般的天真气息，是被人们认为“把儿童艺术、原始艺术、民间艺术揉为一体的艺术大师”。

Joan Miro (1893—1983), is a famous painter and sculptor of Spain. His way of expression is to deliberately disrupt the normal order of perception and to express the impromptu induction of the mind in a language close to abstract under the guidance of intuition. Therefore, there are symbolic symbols and simplified images in his works, which make his works have a sense of free abstraction and childlike innocence. He is regarded as "an artist who integrates children's art, primitive art and folk art".

以米罗的代表作《哈乐群的狂欢节》为灵感和配色指导，设计师完成了客餐厅的软装设计：块面的表达、不同的几何形体、丰富的材质组合、比例奇异的器皿，好似这幅画面中的一个个物品，看似毫不相关却有出奇和谐；

With Miro's representative work " Harlequin's Carnival " for inspiration and color guidance, the designer completed the soft decoration design of guest restaurant: block surface expression, different geometric forms, rich material combination, strange proportions of utensils, like a piece of this picture, seemingly unrelated but surprisingly harmonious;

萨尔瓦多·达利（Salvador Dali ，1904—1989）达利（1904—1986），是超现实主义绘画运动中最有影响力的领军人，在绘画、文学、电影、珠宝等方面有着特殊的贡献。他采用“具象”精确地复制非正常逻辑思维产生的幻象，把毫不相干的事物全部组合在一起，使画面中充满戏剧效果，带给人视觉与新心灵的震撼。

Salvador Dali (1904—1989) is the most influential leader in the surrealist painting movement and has made special contributions in painting, literature, film and jewelry. He uses "concrete image" to exactly duplicate the illusion produced by abnormal logical thinking, and combines all irrelevant things together to make the picture full of dramatic effect, bringing people the shock of vision and new mind.

在达利这种反映梦境和想象的“疯狂”作品的启发下，设计师在书房空间大胆选择了类似达利作品中的家具造型，并选取了另一幅当代艺术家的相同风格作品与之搭配。而达利作品中经常出现的配色，也占据着这个房间：黄色的空间中，暗绿、咖啡色、橙色的物品正扮着鬼脸。

Inspired by Dali's "crazy" artworks that reflect dreams and imagination, the designer boldly chose furniture modeling similar to Dali's in the study room, and chose the same style works of another contemporary artist to match with it. And the color palette that often appears in Dali's work also dominates the room: dark green, brown and orange objects are making faces in the yellow space.

马格里特Magritte Rene(1898～1967)比利时画家，是超现实主义重要代表人物，拥有很多成功作品，而且他的很多作品都和他自己有关。在他看来，人的眼睛只是一面错误的镜子，因为它所得到的只是自然的幻影，而不是自然本身。在马格里特的作品中，梦幻的感觉并不由于歪曲和变形，而是正常可见的事物放置在一起的冲突感。

Magritte Rene(1898～1967), Belgian painter, important representative of surrealism, has many successful works, and many of his works are related to himself. In his view, the human eye is only a false mirror, because what it gets is the illusion of nature, not nature itself. In Magritte's work, the dreamlike feeling is not caused by distortion or distortion, but by the conflict of normal visible things placed together.

这种“冲突感”正是设计过程中刻意创造的“彩蛋”。两间卧室呈现着一明一暗的对比效果：一间以艺术家的迷幻音乐题材作品揭开序幕，用少见的配色和材质组合延续这种冷静又神秘的气质；另一间以大都会博物馆大卫.霍克尼的作品海报点亮暗调的空间，以他标志性的明快蓝色和意思俏皮感增添了空间的趣味。

This "sense of conflict" is the deliberate creation of the “bonus” in the design process. The two bedrooms provide a contrast between light and dark: one opens with an artist's psychedelic music theme, continuing the cool and mysterious temperament with a rare combination of colors and materials; Another brightened the darkened space with posters of the metropolitan museum of art's David Hockney, adding interest to the space with his trademark bright blue and playful touch.

“超现实主义”的创作方法是对以往以理性、现实为特征的现实主义的反动，目的在于对真实的深层次探索和表现，即有意将抽象意境与具象实体搭配，构成一种既具体又模糊的虚实相交的境界，从而给读者提供了追寻艺术家个体感受的信息。这与中国古人强调“超以象外，得其圜中”的境界吻合，在“虚”与“实”的处理中，“虚”的部分更是艺术家想象力飞翔驰骋之处，并，在这两者之间取得恰到妙处的平衡，艺术如此，设计也如此。